10 Film Cameras Beginners Should Consider Before Overspending
The best first film camera is usually the cheap, boring, dependable one — here is how to pick it and where the money should go instead.
Analog Photo Today
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Inside a Professional Darkroom Lab: Behind the Scenes
A walk through the chemistry, the enlargers, and the people whose hands touch every negative.
Spotting Fake Vintage Cameras: A Buyer's Guide
Replicas, franken-cameras and mislabeled classics are everywhere at markets and online. Here is how to read the tell-tale signs before money changes hands.
The Best Photo Labs for Mail-In Developing, Compared — and How to Compare Them Yourself
A ranking is only as honest as its criteria. Here is what actually separates a good mail-in lab from a careless one, and how to judge price, scans, and packaging without trusting a star rating.
Film
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Portra 400 Is the Most Forgiving Color Film You Can Buy — That's the Whole Pitch
Kodak's datasheet promises latitude that lets you overexpose two stops and keep shooting into the shade — here is what the documentation says, and when cheaper film beats it.
How to Push Tri-X Two Stops Without Ruining It
Kodak's own datasheet has a development time for EI 1600 built in. Here's the recipe, the metering logic, and the mistakes that turn a push into a wasted roll.
Kodak Vision3 500T for Stills
Kodak Vision3 500T lets stills shooters buy cinema stock by the foot — if they can handle rem-jet, ECN-2, and a tungsten worldview.
Fujifilm Superia 400: Back Again
Fujifilm Superia 400 returned from the dead in 2024 as a newly designed consumer color film — and it still reads like summer.
Cameras
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How to Choose Your First Film Camera: A Beginner's Guide
Match the body to how you actually shoot, set a budget that leaves room for film, and buy the simplest camera that will do the job.
The Pentax 17 Is Proof Zone Focusing Never Went Out of Style
Ricoh's half-frame comeback camera skips autofocus by design, doubles your roll, and still costs the same $499.95 it launched at two years ago.
First Medium Format Camera: Start Here
Your first medium format camera should match how you shoot, not just your budget, because format choice decides weight, cost per frame and pace.
Contax T2 Guide: Point-and-Shoot Gold
The Contax T2 pairs a Zeiss 38mm lens with true pocket size, and two decades of hype have done interesting things to its price.
Spotlight
How to Push Tri-X Two Stops Without Ruining It
The Migrant Mother Negatives Are a Public Record
The Film Revival, Year by Year
From Kodachrome's announced end in June 2009 to new cameras and new emulsions shipping in 2026, the film revival was not a mood — it was a sequence of datable bets by companies everyone assumed had given up.
How to Read the Art News Without Getting Overwhelmed
A one-hour-a-week filter system for exhibitions, auctions and artist news — built for people who shoot film, not people who trade it.
Darkroom
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How to Push Tri-X Two Stops Without Ruining It
Pushing the classic black-and-white stock to 1600 is documented territory — Kodak's own datasheet and the development charts carry the numbers you need.
How Long Should You Wash Film Negatives After Fixing?
A short rinse feels done long before the fixer is actually gone. Here's how the wash step actually works, and how to tell when a roll is clean enough to last.
Fiber vs Resin Printing Paper
Fiber vs resin printing paper is one decision with consequences across the whole print run: washing, drying, toning, and how long prints live.
Loading Film in a Changing Bag
Loading film in a changing bag is a blind skill anyone can learn: fixed layout, practiced fingers, and one junk roll before the first real one.
Photography News
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Inside the Studio of a Fashion Film Photographer
What an editorial shoot on medium format actually looks like, hour by hour, when the camera takes one roll at a time.
How to Push Tri-X Two Stops Without Ruining It
Kodak's own numbers for shooting Tri-X 400 at EI 1600, what changes in the tank, and where a two-stop push turns into a mistake.
Kodachrome Only Became Kodachrome After It Left the Camera
How to Push Ilford HP5 Plus to 1600 Without Ruining It
Art News
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How to Photograph Artwork for Catalogs and Portfolios
Light, color fidelity and patience: what painters, printmakers and galleries need to document work that sells and survives.
The Best Museums for Photography Collections Worldwide
What separates a storage room with cameras from a collection worth flying for.
The Art Market for Film Prints
Editions, print dates and provenance — not the picture alone — decide whether a photographic print sells for five hundred dollars or twelve million.
Kodak Just Overtook Fujifilm in Japan, and Price Hikes Are Why
A new survey of Japanese film shooters puts Kodak ahead of Fujifilm for the first time on record, as steep Fujifilm price increases push photographers toward cheaper, fewer stocks.